• No results
ElementalAmplified
Manuscript
Notes
#
The Pulter Project
pulterproject.northwestern.edu
Poem 16

The Revolution

Edited by Leah Knight and Wendy Wall
In this poem, Pulter experiments with form, writing in iambic tetrameter triplets (three rhyming lines). Her subject matter is devotional: the first part of the poem uses astronomical and cosmological imagery to imagine the physical dissolution of the universe and matter if God were to withdraw his sustenance. The poem turns then to welcome this dissolution of human and earthly forms, as the speaker imagines a personal transmutation in which her basic elements (air, dust, tears) swirl redemptively into the heavens. Transmuted into a fiery comet in the skies, she hopes to serve as an emblem for other women to understand that penance can secure eternal salvation.
Compare Editions
i
1O Thou, which
circumvolveth1
all,
2Not only on this earthly ball
3Where I, a wretched
pilgrim2
, crawl,
4But those vast orbs which shine so bright,
5And are so glorious to our sight,
6From Thee have influence and light;
7Not only those who yearly run
8Round that illustrious globe, the sun,
9When Thou bidst stay, their
race3
is done;
10
But4
those
fixed stars5
, whose
radiancies6
11Three hundred suns at least
outvies7
,
12Owe unto Thee their
splendencies8
:
13Shouldst Thou Thy glorious beams recall,
14To horrid
chaos9
they would fall
15And darkness would
involve10
them all.
16When Thou send’st forth
th’all-quick’ning breath11
,
17All that exists begins their birth;
18When Thou drawest back, they turn to earth.
19Who can Thy infinite power
rehearse12
,
20Which didst create this universe
21And canst to
atoms13
it disperse?
22Should all annihilated be,
23Which is
as easy14
unto Thee,
24O what would then become of me?
25Nay, rather all to dust
calcine15
;
26I gladly will my
form16
resign,
27It will my
carnal17
heart refine.
28My tears, my dust, shall
rarefy18
29To air which, circularly,
30Thy blessed name shall
magnify19
.
31But as my tears in air ascends,
32I’ll raise no storms to hurt my friends;
33My soul hath far more noble ends.
34But sighs, like winds, so fills my breast
35That in this sphere I cannot rest,
36
Till20
glorious beams may
crown my crest21
.
37For higher still I must aspire.
38Thus, noble thoughts, do still fly higher
39Till I
delate22
myself to fire.
40And as I now burn high and clear,
41Let me no
prodigy23
appear
42To put the guilty world in fear;
43For love and zeal my breast inflames.
44Then follow, all heroic dames;
45It will immortalize your fames.
46And
now24
I am diffused to light
47By Thy almighty power and might,
48Let me enjoy Thy blessed sight.
49My beams contracted as I shine,
50This world to ashes would calcine,
51But O, I could it not refine.
52Nor back again I would not turn
53Though I a thousand worlds might burn;
54It would too long my joys adjourn.
55Then let me ever with Thee shine;
56All
transmutations25
I’ll decline;
57The eternal glory shall be Thine.
58Now you that scorn repentant tears
59As if proceeding from base fears,
60When
yours26
lies low, my dust
it27
rears
61From this sad, solitary grove
62To those eternal joys above,
63Where all’s involved in light and love.
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • circumvolveth
    To “circumvolve” meant to rotate, turn, roll, or whirl (a thing) round on its axis or center; to move (a thing) round in a circular path; it may also mean to encompass or enwrap, as it shares the Latin root “volvere” with “involve.”
  • pilgrim
    traveller; one who journeys to a holy place
  • race
    forward motion
  • But
    Even
  • fixed stars
    stars, as distinct from planets (which were known as “wandering stars”)
  • radiancies
    brightness
  • outvies
    surpasses in a rivalry
  • splendencies
    splendors
  • chaos
    primordial void, nothingness
  • involve
    entangle, envelop
  • th’all-quick’ning breath
    “th’all” (the all); “quick’ning” (animating or life-giving); see Genesis 2:7: “And the Lord God formed man [of] the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.”
  • rehearse
    express, report, describe, but also repeat or practice
  • atoms
    minute and indivisible particles, seen as ultimate components of matter; in a less scientific register, very small amounts of anything
  • as easy
    as creating the universe (in stanza six)
  • calcine
    burn to dust, purify, refine
  • form
    shape; body; orderly arrangement of parts; degree or rank; in Francis Bacon’s philosophy, the real conditions on which a sensible body depends for its existence
  • carnal
    bodily, unregenerate, passionate
  • rarefy
    vaporize, purify
  • magnify
    Tears and dust are two of the fundamental bodily elements; the speaker asks God to use her tears to transform her solid elements into air, which will “circularly” (in turn, in circling back) be magnified (praised, glorified, and enlarged) by transmitting God’s name; an alternate reading would have her vaporized being glorifying and expanding God’s name, perhaps in the form of airs or “sighs” (her name for her poems).
  • Till
    In the manuscript, this word is crossed out and the word “that” begins the line.
  • crown my crest
    glorify or honor her “crest” (head, summit or top of anything; symbol of pride)
  • delate
    convey or transfer; but also drawing on the meaning of “dilate”; to amplify; disperse; and, perhaps less directly, to express oneself diffusely, since the passage refers to “noble thoughts”
  • prodigy
    A “prodigy” was an extraordinary thing or occurrence regarded as an omen or sign.
  • now
    now that
  • transmutations
    transformations; in alchemy, conversions of substances into others, usually from baser to more elevated substances (such as gold or silver); conversions of one species into another
  • yours
    your dust
  • it
    her tears, which show a penance that helps to raise her dust to salvation (in contrast to the unrepentant person who scorns penitence); alternatively, “it” can refer to her “dust” which rears itself up from earth to ascend to heaven.
The Pulter Project

Copyright © 2023
Wendy Wall, Leah Knight, Northwestern University, others.

Except where otherwise noted, this site is licensed
under a Creative Commons CC BY-NC-SA 4.0 License.

How to cite
About the project
Editorial conventions
Who is Hester Pulter?
Resources
Get in touch