The Pulter Project

Poet in the Making

A unique leather-bound manuscript, disregarded for centuries.

Poems of revolution: political, personal, religious, scientific.

We take this material and make something new.

We invite you to continue the making.

Another World
The Pulter Project video

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Showing 120 poems in the same order as in the manuscript. Reset
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Contributors
  • Amanda Zoch
  • Anna Lewis
  • Aylin Malcolm
  • Bruce Boehrer
  • C. A. Davis
  • Charlotte Newcombe
  • Claire Richie
  • Daniel Juan Gil
  • David Norbrook
  • Eileen Sperry
  • Elisa Tersigni
  • Elizabeth Kolkovich
  • Elizabeth Sauer
  • Elizabeth Scott-Baumann
  • Emma K. Atwood
  • Frances E. Dolan
  • Grant Williams
  • Helen Smith
  • Jonathan Koch
  • Karen Raber
  • Kenneth Graham
  • Lara Dodds
  • Leah Knight
  • Liza Blake
  • Millie Godfery
  • Molly Hand
  • Nicole Jacobs
  • Nikolina Hatton
  • Rachel Zhang
  • Ruth Connolly
  • Samantha Snively
  • Sarah C. E. Ross
  • Sarah E. Johnson
  • Scott Maisano
  • Tara L. Lyons
  • Victoria E. Burke
  • Vin Nardizzi
  • Wendy Wall
  • Whitney Sperrazza
Keywords
  • Abraham Cowley
  • Aesop
  • age
  • alchemy
  • Ambrose Pare
  • Amelia Lanyer
  • Americas
  • anatomy
  • Andrea Alciati
  • Andrea Alciato
  • Andrew Marvell
  • animals
  • Anne Bradstreet
  • Anne Southwell
  • Aphra Behn
  • Aristotle
  • astronomy
  • atoms
  • Augustine
  • ballad
  • Ben Jonson
  • Bible
  • bird
  • birds
  • birth
  • blazon
  • body
  • body dust
  • botany
  • breath
  • Broadfield
  • burial
  • captivity
  • Caravaggio
  • Charles Butler
  • Charles I
  • chastity
  • children
  • Christianity
  • Christine de Pizan
  • Christopher Marlowe
  • circles
  • civil war
  • Claude Levi-Strauss
  • colonialism
  • commemoration
  • consent
  • cosmology
  • country house
  • creation
  • death
  • devotion
  • distillation
  • Du Bartas
  • dust
  • ecology
  • editing
  • Edmund Spenser
  • Edward Coke
  • Edward Topsell
  • elegy
  • elements
  • Elizabeth Cary
  • Elizabeth I
  • Elizabeth Melville
  • emblem
  • embodiment
  • entertainment
  • environment
  • execution
  • fable
  • fame
  • family
  • fashion
  • Fates
  • feathers
  • female body
  • female bonds
  • flowers
  • food
  • Francis Bacon
  • Francis Quarles
  • freedom
  • friendship
  • Fulke Greville
  • garden
  • gender
  • Geoffrey Whitney
  • George Chapman
  • George Gascoigne
  • George Herbert
  • George Puttenham
  • George Sandys
  • George Wither
  • Gervase Markham
  • Giles Fletcher
  • God
  • goddess
  • grief
  • Hannah Woolley
  • Hans Holbein the Younger
  • Henry
  • Henry Chauncy
  • Henry Constable
  • Henry Moody
  • Henry More
  • Henry Peacham
  • Henry Vaughan
  • heraldry
  • Holinshed
  • humor
  • hunt
  • hunting
  • illness
  • insects
  • isolation
  • James I
  • James Shirley
  • Jan Brueghel the Younger
  • Jane Cavendish
  • Jane Sharp
  • Jean Luis Vives
  • Jeremy Taylor
  • John Bunyan
  • John Calvin
  • John Donne
  • John Gerard
  • John Milton
  • John Parkinson
  • John Wilkins
  • John Wilmot (Rochester)
  • judicial system
  • Judith Madan’
  • Julia Palmer
  • justice
  • Katherine Philips
  • Kenelm Digby
  • king
  • knowledge
  • labor
  • land
  • law
  • Leo Africanus
  • Leonardo da Vinci
  • light
  • love
  • love poetry
  • Luca Signorelli
  • Lucy Hutchinson
  • male bonds
  • map
  • Margaret Cavendish
  • marine creatures
  • marriage
  • Martin Luther
  • Mary Carey
  • Mary Wroth
  • masque
  • material text
  • maternity
  • matter
  • matter death
  • media
  • medicine
  • meditation
  • memorial
  • Michel de Montaigne
  • mirror
  • monarchy
  • mourning
  • mythology
  • Native Americans
  • Nicolas Hilliard
  • Nicolo Machiavelli
  • nuns
  • object
  • offspring
  • Oliver Cromwell
  • Other(s)
  • Ovid
  • parents
  • pastoral
  • Petrarch
  • Philip Sidney
  • plants
  • Pliny
  • Plutarch
  • poison
  • politics
  • portrait
  • praise
  • pregnancy
  • pride
  • Pulter’s life
  • queen
  • race
  • Raphael
  • recipe
  • recipes
  • refrain
  • religion
  • Rene Descartes
  • repentance
  • reproduction
  • Restoration
  • resurrection
  • revolution
  • Richard Brathwaite
  • Richard Brome
  • Richard Crashaw
  • Richard Crashawe
  • Richard Leigh
  • Richard Lovelace
  • ritual
  • Robert Fludd
  • Robert Herrick
  • Robert Southwell
  • Samuel Daniel
  • satire
  • Seneca
  • sermon
  • sexuality
  • sighs
  • Simon Goulart
  • sleep
  • soul
  • sound
  • suffering
  • suicide
  • sun
  • tears
  • technology
  • textile
  • textiles
  • Theodor de Bry
  • Thomas Aquinas
  • Thomas Browne
  • Thomas Campion
  • Thomas Carew
  • Thomas Coryat
  • Thomas D’Urfey
  • Thomas Heywood
  • Thomas Hobbes
  • Thomas Middleton
  • Thomas Moffett
  • Thomas North
  • Thomas Overbury
  • Thomas Tryon
  • Thomas Wyatt
  • travel
  • trees
  • tyranny
  • Vaughan
  • violence
  • Virgil
  • virginity
  • Walter Charleton
  • Walter Raleigh
  • war
  • William Gouge
  • William Lawson
  • William Perkins
  • William Shakespeare
  • William Wood
  • wisdom
  • witchcraft
  • women
Nothing matches the filters.
  • exploration“And space may produce new worlds”: Hester Pulter and the Imagined Worlds of Astronomy and Poetry
  • explorationA Difficult Labor: Hester Pulter’s Date of Birth
  • explorationHester Pulter in 15 Fifteens
  • explorationHester Pulter’s Marriage: Facts and Fiction
  • explorationHester Pulter and the Blazon in Early Modern England
  • explorationHow to Tell If You’re in a Hester Pulter Poem
  • explorationThe Making of The Pulter Project
  • explorationPicturing Pulter: Words, Pigment, Stone, and Thread
  • explorationPulter and Political Revolution
  • explorationRereading Pulter’s Confinement in the Pandemic
  • explorationShades of Death: Hester Pulter and Mortality
  • explorationSoundings: Hearing Hester Pulter’s Poems
  • explorationWomen Writers and the English Revolution
  • explorationWhat Else Is In the Manuscript? Or, Where Did Pulter’s Poems Live?
  • Black Monday (1652)
  • Controlling the Sun
  • Early Modern Astronomy
  • Eclipse Literature
  • Talking to Death
  • Transformations of the Elements
  • Come Away…
  • Country and Country House Poems
  • How to Do Things with Political Poetry
  • The Many-Headed Hydra
  • Pearled Over
  • The Body Resurrected
  • Burial Rites
  • Daily Dying and Rising
  • Doomsday
  • “Night” in Ink
  • Deep Ecologies
  • Globes of Earth and Light
  • The Phoenix
  • The Unicorn
  • Vegetable Love
  • Commemorating the Dead
  • Male Friendship
  • Royalist Accounts Linking the Execution to the Siege of Colchester
  • The Shooting of Lucas and Lisle
  • Understanding Through Comparison
  • War Memorials
  • Child Loss Elegies
  • The Hunted Deer
  • The Sad Nightingale
  • White Lilies and Red Roses
  • The Death of a Child
  • Foolish Mourning
  • Fragrant Odors Immortalize a Virgin Name
  • Poems in Conversation
  • The Botanical Blazon
  • Expanding Our Understanding of Flora
  • Flower People
  • The Flowers of Pulter’s Library: Myths
  • Other Garden Poems
  • Parliaments of Flowers
  • Picturing Pulter’s Flowers
  • Nemesis, Goddess of Retribution
  • Arthur, First Baron Capel (1604–49)
  • Circles and Labyrinths
  • Circles in Alchemy
  • Devotional Circles
  • Donne’s Circles
  • Dust
  • Matter and Creation
  • Sighs and Tears
  • Desiring Death
  • This Terrene Globe
  • Bell Tolling
  • Personified Death in Early Modern Art and Literature
  • Alchemy and Devotion
  • Images of Aurora, Goddess of the Dawn
  • The Good Death
  • The Light of God
  • Memento Mori
  • A Tedious Pilgrimage
  • An Assize Sermon
  • Aurora and Phoebe
  • Flies Do What They’re Made For
  • Moiling in the Earth
  • More Ruminations on Death and Resurrection
  • A Female Slave
  • Mother Earth
  • Pismires
  • What is a dunghill?
  • Christian Mortalism from the Bible to Pulter
  • The Poetry of Night and Day
  • Alchemical Quintessence
  • Broadfield, Hertfordshire
  • Did women play football in the seventeenth century?
  • The Dissolution of Matter into the Four Elements
  • Poetic Fancies
  • Body, Soul, Dust
  • The Knowledge of God
  • Reading (and Transforming) Biblical Sources
  • “Scientific” Poetry
  • Metaphors of Violence in Devotional Poetry
  • Pulter’s Psalmic Intertexts
  • Heroic Suicide and Women’s Writing
  • Lying-In
  • Lark Mirrors
  • Male and Female Spiders
  • Mowers and the Birds they Kill
  • The Myth of Arachne
  • The Built Body
  • The Light of God
  • Aging Women
  • Erra Pater and the Sibyl
  • Illness and Poetry
  • “Stars (nay suns)”: Cosmic Pluralism and Early Modern Poetry
  • The Crown Imperial in the Early Modern English Imagination
  • Tears and Ink
  • Complaint Poetry
  • Early Modern Astronomy
  • The Planets in Poetry
  • “Creatures venomous, and offensive to man”
  • Good and Bad Animal Parents
  • Speculations about Multiple Worlds
  • Versifying Captivity
  • Amphitrite and the Dolphin
  • Dolphins as Friends to Man or “Philanthropos”
  • Flora
  • Triangulation and the Second Person
  • Who’s Fair? Race and Praise of the Beloved
  • Emblems of Phaeton and Icarus
  • Attitudes to Essex
  • Margaret Cavendish’s dancing atoms
  • Margaret Cavendish’s female figures
  • Pulter Reads Bradstreet’s Tenth Muse
  • Pulter Reads Eikon Basilike
  • Pulter Reads Geffrey Whitney’s A Choice of Emblemes
  • Pulter Reads George Sandys’s Paraphrase Upon Job
  • Dear Death
  • Dust
  • Knowledge, Faith and Doubt
  • The “Little Luz”
  • Manuscript Ambiguities
  • Punctuating Poetry
  • Wishing for the End
  • Breath and Song
  • Devotional Lyrics
  • George Herbert
  • Pilgrimage
  • Wings
  • Blessed Steps
  • Identifying Pulter’s Fabulous Flower
  • Staring at the Sun
  • The City Cockneys
  • “Fickle” Fortune
  • Birds Without Feet?
  • Aconite
  • Cooking Up Poisoned Messes—and Antidotes
  • What Is a Mountebank?
  • Youth and Age
  • A Creature Called a Cannibal?
  • Indulgent Parenting
  • Early Modern Porcupines
  • Early Modern Tortoises
  • Crystal Glass
  • The Sin of Pride
  • The Swift, Savage, Maternal Tiger
  • What about Narcissus?
  • Chaste Animals?
  • Elephants and Religion
  • The Noble Elephant
  • The Devoted Turtledove
  • The Widows
  • Puppets, Masques, and Buffoons
  • Raccoon or Beaver?
  • Timon of Athens
  • Dissolved to Tears
  • Hunted Deer in Poetry
  • Seeking Dittany
  • Suspire
  • Mowbray and Bolingbroke
  • Pigeon Houses of Cards
  • Spiders
  • Tilt-yards and Toys
  • Toads
  • Toad and Spider
  • Apes and Art: From Bruegel to Banksy and Beyond
  • Jezebel
  • Moose: Fact and Fiction
  • Serpents vs. Deer
  • Shipwrecks and Civil War
  • Pulter’s Splendent Fame
  • Emblem Books as Parenting Guides
  • Swine and Ermine
  • Elephant and Dragon
  • Samson
  • What’s a Catablepe?
  • Doctor Fox and the Medieval Beast Fable
  • Lions Eating Apes as a Cure for Illness
  • Machiavelli’s Lion and Fox
  • Machiavelli’s Prince: Better to be Loved or Feared?
  • Cetacean Relations
  • Domestic Resurrections and Everyday Miracles
  • Palingenesis
  • Posies: The Flower/Writing Connection
  • Resurrections at Cairo
  • Resurrections of the Body
  • Early Modern Ostriches
  • Did hunters really ride whales like horses?
  • The Leviathan and the Bible
  • The Miracle of the Swine
  • Taming the North American “Indian”
  • Whales Working in Mills
  • Whaling Legends
  • Dualist and Materialist Theories of Resurrection in Pulter’s “The Brahman”
  • Sources of “The Brahman”
  • Visualizing Monist and Dualist Theories of Resurrection
  • Picturing Rats and Mice in Early Modern English Culture
  • Approaches to Early Modern Chastity
  • “Love Repulst”: Paradoxical Desire
  • The Russian Rustic and the Hollow Tree
  • Seventeenth-Century English Views of Russians
  • Phalaris and Perillus in Early Modern Print
  • Procrustes, Sciron, Termerus, and Sinis in Early Modern Print
  • Pulter and Jamaica
  • The Fortress as a Body
  • Women Besieged and Besieging
  • Pulter’s Garden
  • The Worker Bee