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The Pulter Project
pulterproject.northwestern.edu
Poem 36

The Circle [4]

Edited by Leah Knight and Wendy Wall
In a short poem composed of five tetrameter couplets and constituting a single long sentence, Pulter fuses two of her favorite topics: circles and sunrise. In this last of four poems entitled “The Circle,” she describes God’s circular movement downward from the heavens that concludes with Astraea, the last deity living on earth, fleeing back to skies to become the constellation Virgo. In the middle of this cycle Pulter presents an interesting conversion and return from biblical to classical contexts: the male “eternal Spirit” who creates the world by separating light out of chaos morphs into the female classical figure of Aurora (goddess of the dawn), who gives birth to Astraea (goddess of justice). Astraea lived on earth during the utopian Golden Age, which Pulter characterizes as a time when Christian truths were revealed to humans (who had fallen through sin, unlike God’s descent through grace). Astraea completes the motion of the circle by returning to be enveloped in the heavens (and Heaven). The proliferating clauses of the sentence underscore the generative genealogy of divine powers.
Compare Editions
i
1The eternal Spirit of life and love,
2Descending from His throne above,
3From nature’s mass, extracted
Light1
,
4
Biding2
her triumph over Night,
5Who, in her prime of youth and day,
6Lovely
Astraea3
did
display4
,
7Who, conquering all the shades
infernal5
,
8Her virgin womb showed life eternal
9To
lapséd6
man, then flew above
10To be
involved7
again in life and love.
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • Light
    Aurora, goddess of the dawn, the “her” of the next line; see also Genesis 1:1-4: “In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness [was] upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. And God saw the light, that [it was] good: and God divided the light from the darkness.”
  • Biding
    awaiting, but also perhaps connoting “bidding,” meaning inviting, commanding, entreating.
  • Astraea
    goddess of justice, Aurora’s daughter; The Roman goddess of justice (“starry maiden”) dwelt on earth during the golden age, but, when sin prevailed,she fled to heaven and was metamorphosed into the constellation Virgo.
  • display
    To display could mean to give birth, but the term also alludes to the unfurling or exhibiting of a military tactic.
  • infernal
    hellish
  • lapséd
    fallen into sin
  • involved
    entangled, enveloped
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