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The Pulter Project
pulterproject.northwestern.edu
Poem 30

The Center

Edited by Leah Knight and Wendy Wall
“The Center” is one of many poems in which Pulter structures a spiritual meditation on contemporary astronomy. Here she grapples with the fundamental issue of how God, like the sun, can be at the epicenter of mortal existence when his eternal being remains necessarily elusive and confounding. Charting a dizzying series of upward and downward motions, the speaker imagines traversing and remapping the Copernican universe: the flickering stars seem to light her ascension to God, but the orbit of the Earth invisibly draws a boundary preventing her from contemplating God’s glory. She urges her soul toward the nucleus of heavenly light, then colloquially yells for her thoughts to descend to their native dust. The speaker fantasizes that the fiery sun might embrace the Earth so as to halt the revolutions that distinguish day from night, relieving humans of anxious awareness of a mortality that she depicts in eroticized terms: “Death, triumphant, doth perform his lust / Grinding (in spite) our very bones to dust.” In keeping with the vertical play in the poem, death’s pulverization quickly is reversed, as the elements of the body are raised to produce eternal praise. In fact, this conversion anticipates the speaker’s final, comforting spatial realignment. Recognizing God in the details of his animate creations, she forges a way to bridge the gap between the heavens and earth, and she uses this inspiration to create her own revolving cosmos of praise with God enthroned at its center.
Compare Editions
i
1O that the
splendent1
and illustrious sun,
2Round whom the planets’
triple motions2
run,
3
Diurnal3
, annual,
trepidation4
,
4(
Yet5
that
all-quickening orb6
keeps still his station,
5Whilst they about his throne dance each his
measure7
,
6According to the Great Creator’s pleasure):
7O that his influence, his heat, his light
8Would clasp this
globe8
,
that9
these sad shades of night
9Might this
our horoscope involve no more10
,
10Nor me the loss of day so oft deplore.
11Now half our time in horrid night is lost;
12The other half, ’twixt hope and fear, is tossed
13Till pain and grief (O cursed
communion11
14Twixt soul and body) doth dissolve the union.
15Then Death, triumphant, doth perform his
lust12
,
16Grinding, in spite, our very bones to
dust13
,
17Then shuts us in Oblivion’s
sable14
womb,
18
Our infant cradle, now our age’s tomb,15
19Till infinite power and love our dust shall raise,
20To sing, in
joys16
, His everlasting praise.
21But though the sun be center unto all,
22And our earth’s motion makes him
rise and fall17
,
23Yet must his
orb18
confine my thoughts also?
24Must they (ay me!), must they no higher go?
25Since first I saw a glimpse of heavenly joy,
26Methinks this world is but a trundling
toy19
;
27And all those glitt’ring
globes20
that shine like fire
28Are lights hung out to
light21
my thoughts up higher,
29To Him that doth the universe
involve22
,
30
Whose Word creates, whose breath do all dissolve,23
31Even Him that total nature doth surround,
32The thought of whom doth my poor soul confound.
33Ay me! Who can invisible light behold,
34Or can eternity’s age be told?
35If I, to contemplate His glory, venture,
36Rottenness into my bones doth enter.
37
Hollo24
! my thoughts, to native earth descend;
38For thy ambition in the
dust25
must end.
39
Yet26
we may, by the beauty of the creature,
40Conceive the glory of the Great Creator,
41He whose incomprehensible power
42Did make the tallest tree and smallest flower,
43Even lofty cedars that on mountains grow
44And humble daisies which in valleys blow.
45The elephant and whale, He doth
dissect27
,
46
The28
despicablest reptile or insect.
47Then will I here, my few and evil days,
48Make Him the sum and center of my praise.
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • splendent
    shining brightly
  • triple motions
    Over “triple” the word “various” is written, as if a correction were being debated; “triple” motions indicates a Copernican heliocentrism comprised of the planet’s three motions (daily rotation, annual orbit, and tilting of the axis).
  • Diurnal
    daily
  • trepidation
    shaky movement of the spheres, sometimes associated with the classical Ptolemaic view of the universe.
  • Yet
    still
  • all-quickening orb
    all-animating sun
  • measure
    dance; rhythmical movement, as in poetry; course of action
  • globe
    Earth
  • that
    so that
  • our horoscope involve no more
    The speaker wishes the sun would embrace or hold still the Earth (“clasp this globe”) to prevent night from influencing events on Earth.
  • communion
    mutual participation; the yoking of body and soul through emotion trades on more specific meanings of this word: of church fellowship and the sacrament of the Eucharist (eating the body and blood of Jesus).
  • lust
    desire, appetite
  • dust
    primal material elements
  • sable
    black
  • Our infant cradle, now our age’s tomb,
    the primal and obscure nothingness of the material world as compared to heavenly eternity
  • joys
    expressions of joy
  • rise and fall
    The Earth’s turning creates the appearance of the sun’s movement.
  • orb
    the sun and the circular sphere around it subject to its influence
  • toy
    trivial amusement
  • globes
    stars
  • light
    The word “guide” is written above “light,” as if a possible correction.
  • involve
    encircle, entangle
  • Whose Word creates, whose breath do all dissolve,
    See John 1:1-3: “In the beginning was the word, and the word was with God, and the word was God ... All things were made by him.”
  • Hollo
    a loud shout to get attention; the speaker is insisting that her thoughts return to earth.
  • dust
    See Genesis 2:7: “And the Lord God formed man [of] the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.”
  • Yet
    still
  • dissect
    examine minutely
  • The
    And the
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