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The Pulter Project
pulterproject.northwestern.edu
Poem 23

To Astraea1

Edited by Lara Dodds
Like many of Pulter’s other poems, “To Astraea” is an example of apostrophe, here focused on an address to Astraea, the Goddess of Justice. In Pulter’s manuscript, “To Astraea” directly follows a poem addressed to Aurora, or the Dawn, the mother of Astraea. In that poem, the speaker eagerly invokes the arrival of the mother; here she positions herself in the role of mother, offering shelter to the daughter, who represents both “Truth” (To Aurora [1]22, line 18) and Justice. In “To Astraea,” Pulter rewrites the myth of Four Ages of Man as told in the first book of Ovid’s Metamorphoses, which makes this poem a good example of Pulter’s creativity in her engagement with classical sources. In Metamorphoses, the departure of Astraea from Earth marks the end of the Bronze Age and the beginning of the Iron Age. Astraea is driven from the Earth by the evil of men, and with her departure, humans lose hope of justice. In lines often read as anticipatory of Christ, Virgil’s Eclogue 4 looks forward to Astraea’s return and a revival of the Golden Age: “Once more the Virgin comes and Saturn’s reign, / Behold a heaven-born offspring earthward hies!” Pulter’s poem, however, attempts to prevent Astraea’s departure altogether. “To Astraea” positions itself temporally before the separation of humanity from justice; the speaker places herself at Astraea’s birth, praises her for her innocent nakedness, and implores her not to abandon the earth to injustice. The speaker offers her own “breast” as an earthly home for Astraea, and she promises to serve and obey Astraea until both can be translated from this world into an eternity of “glory, joy, and love.”
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i
1Thou blessed birth of the
celestial morn2
,
2Whose brighter limbs no gems needs to adorn;
3Thou then appearest most lovely to our sight
4When thou liest naked in the lap of light.
5
Sweet maid3
, though thou art of celestial birth,
6
Leave not (oh leave not) this our orb of earth4
.
7If fraud usurps that thou canst find no rest,
8Then take thy lodging up
in my poor breast5
.
9There thou shalt monarchize and rule alone,
10None daring to displace thee from thy throne
11Till everlasting glory, joy, and love
12Shall us invite to live with them above.
Macron symbol indicating the end of a poem.

Amplified Edition,

edited by Lara Doddsi

Editorial Note

I have modernized spelling and punctuation and provided glosses of cultural and literary references.
Macron symbol indicating the end of a poem.
  • Lara Dodds, Mississippi State University
  • To Astraea
    Astraea is the Goddess of Justice. Usually she is identified as the daughter of Eos (or Aurora), the Goddess of the Dawn, and Astraeus. The marginal notes of Sandys’s Ouids Metamorphosis Englished (1632), which according to Alice Eardley was one of Pulter’s sources, offer two versions of Astraea’s parentage: “Iustice the daughter of Iupiter and Themis. Or of Astraeus (who first gaue names to the starres, and therevpon called their father,) and Hemera; that is the Daughter of the day; or Goddesse of civility, because Iustice maketh men ciuill” (p. 4).
  • celestial morn
    the Dawn, or Aurora. Aurora is an important figure in Pulter’s personal mythography, appearing frequently in her poetry, including in Aurora [1]3, To Aurora22, and To Aurora [2]26, among others.
  • Sweet maid
    This form of address suggests an intimacy between the speaker and the Goddess Astraea. Pulter uses a similar form of address for her daughters (“sweet maidens”) in The Invitation to the Country2.
  • Leave not (oh leave not) this our orb of earth
    In Ovid’s Metamorphoses, Astraea is described as the last of the immortals to abandon the earth during the Bronze Age. In Sandys’s translation, fear drives her away: “Astraea, last of all the heavenly birth, / Affrighted, leaues the blood-defiled Earth” (p. 4). Pulter’s speaker implores Astraea to remain on earth in spite of her heavenly origins.
  • in my poor breast
    Virgil’s Fourth Eclogue includes a famous reference to the return of Astraea as the forerunner of the return of the Golden Age: “Once more the Virgin comes and Saturn’s reign, / Behold a heaven-born offspring earthward hies!” (cited from The Georgics and Eclogues of Virgil, trans. Theodore Chickering Williams. Cambridge: Harvard University Press, 1915, p. 138). Christian readers of late Antiquity and the Middle Ages, including the Emperor Constantine, St. Augustine, and Dante, interpreted this poem as a prophecy of the birth of Christ. Pulter’s speaker suggests that her own “breast” will provide an earthly home for Astraea if “fraud” expels her from the earth.
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