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The Pulter Project
pulterproject.northwestern.edu
Poem 36

The Circle [4]

Edited by Elizabeth Scott-Baumann

In the first lines of the Bible, God creates light:

In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. And God saw the light, that it was good: and God divided the light from the darkness. And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.
Genesis 1.1-5

Genesis describes light being created but in Pulter’s poem, it is instead “extracted”, a chemical verb, often used for distillation, and it is characteristic for Pulter to bring technical and alchemical language to devotional poetry (see also, for instance, The Hope65 and The Revolution16). The gender dynamic in the personifications of this poem are interesting, as divine power moves from the male God of the opening to the “virgin womb” of Astrea. In the opening of Paradise Lost, also meditating on these lines from Genesis, Milton imagines the Holy Spirit both “brooding” (like a female bird) and impregnating (as a male):

And chiefly Thou O Spirit, that dost prefer
Before all Temples th’ upright heart and pure,
Instruct me, for Thou know’st; Thou from the first
Wast present, and with mighty wings outspread
Dove-like satst brooding on the vast Abyss
And mad’st it pregnant.
Paradise Lost, ll. 17-22.

As well as chemical process, Pulter combines Biblical and Roman narratives about light. Her word “lapsèd” hinges between these two spheres, referring to mankind’s wickedness after the Golden Age of Roman myth and also etymologically suggesting the Fall from Eden in Genesis. In this, her fourth poem called ‘The Circle’, Pulter enacts the title; her poem’s opening and closing lines end with the same words, “life and love”.

Compare Editions
i
1The eternal Spirit of life and love,
2Descending from His throne above;
3From nature’s mass
extracted1
Light,
4
Biding2
her3
triumph over night.
5Who, in her prime of youth and day,
6Lovely
Astrea4
did
display5
;
7Who, conquering all the shades infernal,
8Her virgin womb showed life eternal
9To
lapsèd6
man, then flew above
10To be
involved7
again in life and love.
Macron symbol indicating the end of a poem.

Amplified Edition,

edited by Elizabeth Scott-Baumanni

Editorial Note

With an undergraduate and graduate student audience in mind, this poem has been modernised in spelling and punctuation. Where modernisation would affect form, priority has been given to the integrity of the poem’s formal features (so, for instance, verb endings -est and -eth have been retained unmodernised; where the meter requires it, the verb ending -ed is accented, e.g., “Then shall thy blessèd influence”). Nouns have been capitalized only when there is clear personification. The notes provide information essential to understanding the poem, while the Headnote aims to stimulate readers’ own interpretations through suggesting literary or historical contexts, possible influences, comparable poems (by Pulter and by her predecessors and peers) and relevant critical arguments.
Macron symbol indicating the end of a poem.
  • Elizabeth Scott-Baumann, King’s College London
  • extracted
    obtained from matter, as in the distillation process
  • Biding
    waiting for; or possibly ‘bidding’
  • her
    the “Light” of the previous line, Aurora; in Roman mythology, goddess of the dawn, who is not named in this poem but whose name is the title of the subsequent poem in the manuscript. See Headnote for Genesis 1.1-5, the biblical basis of this poem
  • Astrea
    in Roman mythology, goddess of justice, who fled earth for the heavens after the Golden Age, when humankind became wicked. Because of her renowned chastity she became the constellation Virgo. Also, in some accounts, the daughter of Aurora
  • display
    show or reveal
  • lapsèd
    fallen into decay, error or sin
  • involved
    enveloped, enfolded, wrapped up
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