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The Pulter Project
pulterproject.northwestern.edu
Poem 20

[Untitled]

Edited by Elizabeth Scott-Baumann

This poem draws on several key biblical uses of the “face”: in the Psalms, David wishes God’s face to be turned towards him (Psalm 27:9), in Genesis, the Holy Spirit moves upon the “face” of the seas as the world is created (Genesis 1:2), and that verb is picked up in lines 6-7 here. John Donne also played with similar imagery in “Good Friday 1613 Riding Westward,” though in his poem it is the believer who turns away his face from God (because travelling west on Easter day, and also because of his humility), until the poem’s final lines. As in The Hope65, here Pulter embraces the idea of physical disintegration, suggesting that death of the body is rebirth of the soul. Pulter also incorporates the process of writing into the poem itself. In the second stanza the speaker writes her own “story” while also creating a devotional poem of praise: “I will hallelujahs sing.” The humility of Pulter’s account of her own writing echoes George Herbert’s. Her phrase “my eternal God and King” has biblical origins which Herbert also invokes when he defends plainness, albeit ingeniously, in “Jordan (1)”:

Shepherds are honest people; let them sing;
Riddle who list, for me, and pull for prime;
I envy no man’s nightingale or spring;
Nor let them punish me with loss of rhyme,
Who plainly say, my God, my King.

We might see the same mixture of humility and assertion in Pulter’s poem. When she modestly comments “here I pass my story,” pass means “tell” or “relate” but it could also mean “surpass,” suggesting that Pulter’s speaker lives through (and beyond) her words.

Compare Editions
i
1Dear God, turn not away Thy face.
2Desert me not, in such a case
3As I am in: without Thy grace,
4
Involved1
with death and night.
5Oh that the spirits of life and love
6Would leave His glorious throne above;
7And deign on my dark soul to move,
8To illuminate me with light.
9Though I no offering fit can bring,
10Yet I will hallelujahs sing
11To
my eternal God and King2
,
12Whil’st here I pass my story.
13And when the
elements3
are agreed
14On my mortality to feed,
15And neither faith nor hope shall need,
16
I’ll shine with love in glory4
.
17Oh then turn not Thy face away,
18Let love and light bear all the sway:
19They’ll soon create eternal day,
20
Oh do it but explore5
.
21Then shall Thy blessèd influence,
22
Triumph o’er Death her impotence6
23Whil’st I, enrobed with innocence,
24Am crowned for evermore.
Macron symbol indicating the end of a poem.

Amplified Edition,

edited by Elizabeth Scott-Baumanni

Editorial Note

With an undergraduate and graduate student audience in mind, this poem has been modernised in spelling and punctuation. Where modernisation would affect form, priority has been given to the integrity of the poem’s formal features (so, for instance, verb endings -est and -eth have been retained unmodernised; where the meter requires it, the verb ending -ed is accented, e.g., “Then shall thy blessèd influence”). Nouns have been capitalized only when there is clear personification. The notes provide information essential to understanding the poem, while the Headnote aims to stimulate readers’ own interpretations through suggesting literary or historical contexts, possible influences, comparable poems (by Pulter and by her predecessors and peers) and relevant critical arguments.
Macron symbol indicating the end of a poem.
  • Elizabeth Scott-Baumann, King’s College London
  • Involved
    enveloped, wrapped
  • my eternal God and King
    this biblical phrase is used also by George Herbert; see Headnote
  • elements
    earth, water, air, fire; the substances of which all things are composed
  • I’ll shine with love in glory
    when the speaker’s mortal body has expired, she will need only love (“And now these three remain: faith, hope and love. But the greatest of these is love” [1 Corinthians 13:13]).
  • Oh do it but explore
    The meaning of these apparently simple words is complex. The main addressee is God, to whom this is a strenuous plea: do at least (“but”) consider (“explore”) shining your light to create eternal day. It could also be read as an instruction to the reader to consider the idea that mortal death will bring the “eternal day” of “love and light.”
  • Triumph o’er Death her impotence
    a compact and difficult formulation which seems to mean “Triumph over Death, rendering her impotent”
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