Editorial note
The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible. After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry. See full conventions for this edition here.
Headnote
In a beast fable critiquing obsequious quacks and self-indulgent, blood-sucking tyrants, Pulter’s vibrant sense of humor and talent for a good yarn are on display. The charlatan Dr. Fox is happy to tell his patient what he wants to hear, as long as he gets paid; the craven lion—not noble, here, but despotic—is easily manipulated into devouring his own subjects (derided as apes). Pulter draws a biting moral: “To an old tyrant … / No music pleaseth but the dying groan / Of innocents.” The pause after that last half-line only emphasizes the terrifying speed of what follows, logically and chronologically—“Then straight the apes were killed”—while the next (similarly bisected) line shows the upshot of such a reign of terror: the lion’s eased, the doctor paid. So—what is the moral here? Bad and worse rewarded, innocents eaten: in the end, all Pulter can hope is to evade such examples of the worst of our kind. Perhaps one consolation of her confinement to a country estate (which she elsewhere laments) was her reduced likelihood of her encountering and being killed by such corruption; and perhaps her very distance from centers of power, during and after England’s civil wars, provided a safe space from which to critique such tyranny and sycophancy as she represents here and which she reviled in the fallen politics of her day.Line number 4
Critical note
In medieval and Renaissance European beast fables, a fox was often a trickster figure; in the twelfth-century beast epic Roman de Renart, the fox is summoned to address a lion king’s complaints. Most of these tales satirized the upper classes and clergy.Line number 5
Gloss note
The doctor engages in showy (but ineffective) urinalysis.Line number 5
Gloss note
and hisLine number 6
Gloss note
a remedy designed to draw fluids, such as blood or bile, out of the body.Line number 11
Gloss note
care forLine number 11
Gloss note
nothingLine number 14
Gloss note
trickle, dripLine number 18
Gloss note
mocked youLine number 19
Gloss note
of remedies: superlatively efficacious or potent; of persons, superior or supreme in rank or power; holding the position of a ruler or monarchLine number 20
Physical note
This line is incomplete in the manuscript.Line number 22
Critical note
“[T]he eagle when her beak overgroweth, sucketh blood.” The Bible and Holy Scriptures (London, 1561), 228.Line number 23
Gloss note
reluctantLine number 26
Gloss note
medicinal substance prepared from embalmed (usually human) flesh, or (dead) flesh generally; in Paracelsian alchemy, a vital principle or sovereign remedyLine number 26
Gloss note
young servantsLine number 27
Gloss note
gloomy, dejected, depressed Sorry, but there are no notes associated with
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