Editorial note
In my editions, I prioritize accessibility and multiple interpretive possibilities. To prepare these poems for a wide range of readers, I have modernized erratic early modern spelling, punctuation, and capitalization to conform to standard American usage. I gloss archaic definitions and confusing syntax, and I expand contractions, unless needed to maintain the integrity of the poem’s form. My notes investigate how Pulter’s poems engage with the literature and culture of mid-seventeenth-century England. When citing the Bible, I use the King James Version. It is worth noting that although Pulter’s poems survive in only one known source, they are not necessarily stable texts. Their manuscript features variants and revisions that invite multiple interpretations. I encourage readers to refer to the manuscript transcriptions and images on this site; my notes alert readers when the manuscript’s original spelling or physical features are especially worth considering.
Headnote
This poem, which is only briefly about a tiger, warns readers not to commit the deadly sin of pride. Pulter’s tiger is cruel not because she is a savage predator, but because she is a Petrarchan mistress who scorns suitors and haughtily admires her own beauty. “The Cruel Tiger” is part of a section in Pulter’s manuscript titled “Emblems,” poems that typically combine symbolic pictures with text to create pithy moral messages. However, Pulter did not include illustrations with her emblems, and this absence is especially striking for a poem about vain creatures infatuated with their own images. Pulter’s poem adapts a familiar fable about a hunter distracting a mother tiger from her whelps using a glass ball. Although obsessive self-gazing might recall Narcissus, the beautiful young man in Greek mythology who fell in love with his own reflection, Pulter’s emblem instead focuses on the natural world and “sacred stories”: female animals and male monarchs who exemplify the dangers of pride. Female tigers were thought to be fiercely maternal in early modern literature. Although many of Pulter’s poems are concerned with parenting and maternity, Pulter chose not to highlight that aspect of the tiger in this poem. In her manuscript, Pulter annotated the poem in her own hand, citing a series of Biblical verses about male monarchs whose arrogant actions threaten their future. This poem allows us to see Pulter’s interpretation of these parables as well as her self-representation as a pious, learned poet who cites her sources.Line number 2
Gloss note
mocking; feeling superior toLine number 2
Gloss note
mirror; see the “Crystal Glass” curation for this poem.Line number 4
Gloss note
extreme astonishmentLine number 6
Critical note
caught in a snare; spellbound. The word “only” signals how easy it is to catch a lark with a mirror.Line number 7
Gloss note
fish with large wing-like pectoral fins; they can glide out of the water and look as if they are flyingLine number 8
Gloss note
squeezes or twistsLine number 11
Gloss note
Pulter’s first example of pride is the Biblical story of Amaziah. In her manuscript, a marginal note in her hand refers to 2 Kings 14:8: “Then Amaziah sent messengers to Jehoash, the son of Jehoahaz son of Jehu, king of Israel, saying, Come, let us look one another in the face.” Amaziah, king of Judah, overreaches when he challenges Jehoash, king of Israel. Jehoash responds with a parable that compares Amaziah to a lowly thistle and Jehoash to a mighty cedar tree as a warning that Amaziah’s haughty challenge will lead to his demise. Amaziah does not listen, and Jehoash plunders his house and temple.Line number 11
Gloss note
daring; excellentLine number 13
Critical note
In the margin, Pulter noted 1 Samuel 13:8, which says of Saul, king of Israel: “And he tarried seven days, according to the set time that Samuel had appointed: but Samuel came not to Gilgal; and the people were scattered from him.” After Saul is too impatient to wait for Samuel, Samuel warns Saul that his kingdom will fall because of his foolishness. For Pulter, Saul’s actions reveal pride.Line number 13
Gloss note
Pulter’s marginal note refers to 2 Chronicles 27:16, a verse that does not exist. In this chapter of 2 Chronicles, Uzziah angrily burns his own incense. In punishment for his arrogant haste, he contracts leprosy.Line number 14
Gloss note
ceremonial headdress, as worn by a bishopLine number 15
Gloss note
Pulter’s marginal note refers to 2 Kings 20:13: “And Hezekiah hearkened unto them, and showed them all the house of his precious things, the silver, and the gold, and the spices, and the precious ointment, and all the house of his armor, and all that was found in his treasures: there was nothing in his house, nor in all his dominion, that Hezekiah showed them not.” As punishment for this boastful display, Isaiah foretells that Hezekiah’s heirs will be taken captive.Line number 17
Gloss note
God punished Nebuchadnezzar’s pride by making him live like an animal for seven years: “He was driven away from human society, ate grass like oxen, and his body was bathed with the dew of heaven, until his hair grew as long as eagles’ feathers and his nails became like birds’ claws” (Daniel 4:33).Line number 17
Gloss note
neglectedLine number 19
Gloss note
Because he failed to give glory to God, Herod is struck down and eaten by worms (Acts 12:19-25).Line number 21
Gloss note
Pulter refers to the Biblical story of Original Sin, when Adam and Eve disobey God’s command not to eat fruit from the forbidden tree in the Book of Genesis.Line number 22
Gloss note
Corrupted by pride, Lucifer rebels against God and gets cast out of heaven.Line number 24
Critical note
Early modern authors sometimes used “both” before a list of more than two things. Sorry, but there are no notes associated with
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