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Devotional Circles

George Herbert’s “A Wreath,” Henry Vaughan’s “The World” and Andrew Marvell’s “The Coronet” reveal some of the devotional symbolism of circles for Pulter’s predecessors and peers.

George Herbert, A Wreath
  • A WREATHED garland of deservèd praise,
  • Of praise deservèd, unto Thee I give,
  • I give to Thee, who knowest all my ways,
  • My crooked winding ways, wherein I live,—
  • Wherein I die, not live; for life is straight,
  • Straight as a line, and ever tends to Thee,
  • To Thee, who art more far above deceit,
  • Than deceit seems above simplicity.
  • Give me simplicity, that I may live,
  • So live and like, that I may know Thy ways,
  • Know them and practise them: then shall I give
  • For this poor wreath, give Thee a crown of praise.
George Herbert, “A Wreath” (published 1633) luminarium.org
Henry Vaughan, The World
  • I saw Eternity the other night,
  • Like a great ring of pure and endless light,
  • All calm, as it was bright;
  • And round beneath it, Time in hours, days, years,
  • Driv’n by the spheres
  • Like a vast shadow mov’d; in which the world
  • And all her train were hurl’d.
  • The doting lover in his quaintest strain
  • Did there complain;
  • Near him, his lute, his fancy, and his flights,
  • Wit’s sour delights,
  • With gloves, and knots, the silly snares of pleasure,
  • Yet his dear treasure
  • All scatter’d lay, while he his eyes did pour
  • Upon a flow’r.
  • The darksome statesman hung with weights and woe,
  • Like a thick midnight-fog mov’d there so slow,
  • He did not stay, nor go;
  • Condemning thoughts (like sad eclipses) scowl
  • Upon his soul,
  • And clouds of crying witnesses without
  • Pursued him with one shout.
  • Yet digg’d the mole, and lest his ways be found,
  • Work’d under ground,
  • Where he did clutch his prey; but one did see
  • That policy;
  • Churches and altars fed him; perjuries
  • Were gnats and flies;
  • It rain’d about him blood and tears, but he
  • Drank them as free.
  • The fearful miser on a heap of rust
  • Sate pining all his life there, did scarce trust
  • His own hands with the dust,
  • Yet would not place one piece above, but lives
  • In fear of thieves;
  • Thousands there were as frantic as himself,
  • And hugg’d each one his pelf;
  • The downright epicure plac’d heav’n in sense,
  • And scorn’d pretence,
  • While others, slipp’d into a wide excess,
  • Said little less;
  • The weaker sort slight, trivial wares enslave,
  • Who think them brave;
  • And poor despised Truth sat counting by
  • Their victory.
  • Yet some, who all this while did weep and sing,
  • And sing, and weep, soar’d up into the ring;
  • But most would use no wing.
  • O fools (said I) thus to prefer dark night
  • Before true light,
  • To live in grots and caves, and hate the day
  • Because it shews the way,
  • The way, which from this dead and dark abode
  • Leads up to God,
  • A way where you might tread the sun, and be
  • More bright than he.
  • But as I did their madness so discuss
  • One whisper’d thus,
  • “This ring the Bridegroom did for none provide,
  • But for his bride.”
Henry Vaughan, “The World” (published 1650) Poetryfoundation.org
Andrew Marvell, The Coronet
  • When for the thorns with which I long, too long,
  • With many a piercing wound,
  • My Saviour’s head have crowned,
  • I seek with garlands to redress that wrong:
  • Through every garden, every mead,
  • I gather flowers (my fruits are only flowers),
  • Dismantling all the fragrant towers
  • That once adorned my shepherdess’s head.
  • And now when I have summed up all my store,
  • Thinking (so I myself deceive)
  • So rich a chaplet thence to weave
  • As never yet the King of Glory wore:
  • Alas, I find the serpent old
  • That, twining in his speckled breast,
  • About the flowers disguised does fold,
  • With wreaths of fame and interest.
  • Ah, foolish man, that wouldst debase with them,
  • And mortal glory, Heaven’s diadem!
  • But Thou who only couldst the serpent tame,
  • Either his slippery knots at once untie;
  • And disentangle all his winding snare;
  • Or shatter too with him my curious frame,
  • And let these wither, so that he may die,
  • Though set with skill and chosen out with care:
  • That they, while Thou on both their spoils dost tread,
  • May crown thy feet, that could not crown thy head.
Andrew Marvell, “The Coronet” (published 1681) Poetryfoundation.org