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The Pulter Project
pulterproject.northwestern.edu
Poem 80

The Stately Unicorn
(Emblem 14)

Edited by Leah Knight and Wendy Wall
Even the most powerful creatures are subject to seduction. This emblem unites the legendary unicorn (whose ability to purify poisonous waters grants him tremendous authority) with the biblical figures of the physically powerful Samson and wise Solomon, as creatures who risk becoming enslaved by the worldly allurements signified, quite conventionally, by women. Using these stories, the speaker feels empowered to address an imagined public audience of “gallants,” warning them of the danger of submitting to lust, fancy, or even alluring maidens.
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i
1In Africa, about the fountain’s
brink1
2Where beasts assemble, none presumes to drink
3Until they see the stately
unicorn2
,
4Who stirs the poisonous waters with his horn;
5Then, with extended jaws, they drink their fill:
6Thus he the forest governeth at his will.
7He scorns all huntsmen, who can never take
8This
gallant3
beast, till they a maiden make
9To sit where he doth haunt, him to allure;
10For in her lap he’ll lie and sleep secure.
11Thus he that scorned his
potentest4
enemy
12Is now enslavéd by a virgin’s eye.
13So
Samson5
, though enabled from above,
14Found death and ruin from his wanton love;
15He that a thousand slaughtered with a jaw,
16Being blind and captive in a mill did
draw6
.
17So
Solomon7
, allured by various
love8
,
18Did leave the true and glorious God above
19To worship those whose fabric is of
dust9
;
20The wisest king was thus enslaved by lust.
21The strongest and the wisest thus you see,
22Fooled by their strength and wisdom often be.
23Then let all youthful
gallants10
warning take:
24To choose by reason, not
for fancy’s sake11
.
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • brink
    edge
  • unicorn
    A mythical animal whose single horn was reputed to possess medicinal or magical properties, especially in purifying poisons; according to legend, only a virgin could capture it.
  • gallant
    brave, gorgeous
  • potentest
    most potent, strongest
  • Samson
    See Judges 13-16; a biblical Nazrite who possessed Herculean strength, he killed one thousand Philistines with the jaw bone of an ass; Delilah seduced and betrayed him by revealing the source of his strength (his hair). After being captured and blinded by his enemies, he was put to work in a mill before later regaining his strength.
  • draw
    work to move objects
  • Solomon
    see Kings 11:1-4; biblical king of Israel whose numerous foreign wives turned his heart toward idolatry (the worship of material beings made of earthly elements, or “dust”)
  • love
    loves
  • dust
    earth
  • gallants
    amorous men
  • for fancy’s sake
    for a whim; for an amorous inclination or love
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