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The Pulter Project
pulterproject.northwestern.edu
Poem 28

O, My Afflicted Solitary Soul

Edited by Leah Knight and Wendy Wall
Beginning and ending with questions, the speaker in this poem grapples emotionally with the quandary of being both immaterial soul and mortal flesh. What begins as the speaker’s encouragement to her soul to ambitiously look past the ephemeral pleasures of the natural and finite world turns, by the end of this verse, into a desperate longing to be reunited with her loved ones and with God in heaven. Between these two rhetorical stances, the speaker belies her attraction to the sensual beauty of the landscape, as if trying to convince herself to disavow the joys she occasionally feels (“Then what’s this world we keep ado about?”). She also abruptly disrupts her wise self-counsel to confess a deep fear of death, of transforming into mere dust and ashes. Pulter’s inventive staging of the conventional Renaissance poetic debate between body and soul contrasts the transience and filth of the “dunghill earth” with the expansive flight of the soul into a paradisal heaven vividly imagined as celestial, sovereign and musical.
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i
1O my afflicted solitary soul,
2Why dost thou still in dust and ashes
roll1
,
3As if thou were not of celestial birth,
4Or thy beginning and thy end were earth?
5Believ’t, thou art a sparkle of that
light2
6Which is invisible to our mortal sight;
7And thou art capable of endless bliss;
8Thou knowest nothing, if thou knowest not this.
9Enlarge thy hopes (poor soul), then reassume
10Thy ancient right; thou needs no borrowed
plume3
,
11For thou hast noble wings to take thy flight.
12Why dost thou in this
dunghill4
earth delight?
13We talk of summers and delicious springs;
14I am
resolvéd5
here are no such things.
15Of flowery valleys and
salubrious6
hills,
16Of shady groves, and
purling7
crystal
rills8
,
17We do but dream: in them, we laugh or weep,
18And never wake until in death we sleep.
19Then what’s this world we keep
ado9
about?
20We weeping enter, and go, sighing, out.
21(Ay me!) this thought of death my courage dashes;
22Must I and mine turn all to dust and ashes?
23Death hath already from my weeping vine
24
Torn seven fair branches10
; the grief and loss is mine,
25The joy is theirs, who now in glory shine,
26And as they were to me of infinite price,
27So now they planted are in paradise
28Where their immaculate, pure,
virgin11
souls
29Are now enthroned above the stars or
poles12
,
30
Where they enjoy all fullness of desire13
.
31O when shall I increase that heavenly choir?
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • roll
    move in cycles; move in an unsteady manner; rotate, turn, or pivot around; trust in God; wallow
  • light
    Christian deity; see John 8:12: “Then spake Jesus again unto them, saying, I am the light of the world: he that followeth me shall not walk in darkness, but shall have the light of life.”
  • plume
    feather
  • dunghill
    pile of excrement
  • resolvéd
    convinced
  • salubrious
    health-giving
  • purling
    rippling
  • rills
    streams
  • ado
    fussing
  • Torn seven fair branches
    Seven of Pulter’s children had died by 1655.
  • virgin
    unsullied, chaste
  • poles
    places where the Earth’s axes meet the celestial sphere
  • Where they enjoy all fullness of desire
    her children’s desires have been met in heaven
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