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The Pulter Project
pulterproject.northwestern.edu
Poem 20

Dear God, Turn Not Away Thy Face

Edited by Leah Knight and Wendy Wall
This poem modulates between a desperate plea not to be abandoned and a vivid fantasy of becoming a heavenly (if dependent) power, whose glory is imagined as akin to royalty. The speaker’s anguished and repeated cries for God not to turn his face away echo both Christ’s tormented exclamation on the cross (“My God, my God why have thou forsaken me?”) and David’s entreaty in the Psalms (“Hide not thy face far from me; … leave me not, neither forsake me, O God of my salvation”). If the divine spirit would possess and illuminate her soul, the speaker would reciprocate by offering earthly hallelujahs (songs of praise, such as this poem). This earthly illumination would also set into motion the “eternal day” of the Christian Judgment Day, when her body—gruesomely imagined as eaten by material elements—might transform into a new physical state wearing new garments. Pulter experiments in the poem formally, offering six four-line stanzas that interconnect in unusual ways: the individual stanzas are comprised of a tetrameter tercet and offset ending trimeter line; and end rhymes structure the poem as three paired stanzas. The result is a verse that demonstrates an intensified bonding and coupling of its parts.
Compare Editions
i
1Dear God,
turn not away Thy face1
,
2Desert me not, in such a case
3As I am in, without thy grace,
4
Involved2
with death and night.
5O that the spirits of life and love
6Would leave His glorious throne above,
7And
deign3
on my dark soul to move,
8
T’illum’nate4
me with light.
9Though I no off’ring fit can bring,
10Yet I will hallelujahs sing
11To my eternal God and King,
12Whilst here I
pass my story5
.
13And when the
el’ments6
are agreed
14On my mortality to feed,
15And neither faith nor hope shall
need7
,
16I’ll shine with love in glory.
17O, then turn not Thy face away;
18Let love and light bear all the sway.
19They’ll soon create eternal day,
20O do it
but explore8
.
21Then shall Thy blesséd influence
22Triumph o’er
Death, her impotence9
,
23Whilst I enrobed with innocence
24Am crowned for evermore.
Macron symbol indicating the end of a poem.

Elemental Edition,

edited by Leah Knight and Wendy Walli

Editorial Note

The aim of the elemental edition is to make the poems accessible to the largest variety of readers, which involves modernizing spelling and punctuation as well as adding basic glosses. Spelling and punctuation reflect current standard American usage; punctuation highlights syntax which might otherwise be obscure. Outmoded but still familiar word forms (“thou,” “‘tis,” “hold’st”) are not modernized, and we do not modernize grammar when the sense remains legible.

After a brief headnote aimed at offering a “way in” to the poem’s unique qualities and connections with other verse by Pulter or her contemporaries, the edition features a minimum of notes and interpretative framing to allow more immediate engagement with the poem. Glosses clarify synonyms or showcase various possible meanings in Pulter’s time. Other notes identify named people and places or clarify obscure material. We rely (without citation) primarily on the Oxford English Dictionary (OED), the Oxford Reference database, and the King James Version (KJV) of the Bible. When we rely on Alice Eardley’s edition of Pulter’s work, we cite her text generally (“Eardley”); other sources are cited in full. The result is an edition we consider a springboard for further work on Pulter’s poetry.

See the full conventions for the elemental edition here.

Macron symbol indicating the end of a poem.
  • Leah Knight, Brock University
  • Wendy Wall, Northwestern University
  • turn not away Thy face
    See Psalms 27:9: “Hide not thy face far from me …. leave me not, neither forsake me, O God” (Eardley).
  • Involved
    entangled, enveloped
  • deign
    condescend to bestow
  • T’illum’nate
    pronounced as three syllables to match the ending trimeter of each stanza, the first three lines of which are tetrameter
  • pass my story
    “pass” means to occupy, endure, carry out, or get beyond, but, especially given the spatial grounding here, could mean “to traverse”; in Pulter’s poems, “story” is often a synonym for “life.”
  • el’ments
    fundamental components of the physical world; in ancient philosophy, earth, fire, water, and air
  • need
    be lacking; be necessary
  • but explore
    one meaning is “just try,” as an imperative with urgency; “but” can also mean absolutely, actually, or even (as in “but now”); “explore” can mean examine, survey, discover
  • Death, her impotence
    Death’s impotence, lack of strength
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